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Showing posts from September, 2013

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THX 1138 (review)

September 30, 2013

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Star Wars (review) Childhood Favorites Week.

September 27, 2013

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Back to the Future (review) Childhood Favorites Week

September 26, 2013

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Raiders of the Lost Ark (review) Childhood Favorites Week

September 25, 2013

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Top Gun (review) Childhood Favorites Week

September 24, 2013

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Independence Day (review) Childhood Favorites Week

September 23, 2013

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Lawless (review)

September 18, 2013

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Nineteen Eighty-Four (quickie)

September 17, 2013

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Battleship (review)

September 13, 2013

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An Education (quickie)

September 11, 2013

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Heathers (quickie)

September 09, 2013

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Top 5 (Favorite) Classic Disney Animated Features

September 05, 2013

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Wes

Greetings, Meat Popsicle!

Welcome to Screening Notes, my analytical movie review site!

I'm a proud cat dad, culinary amateur, and purveyor of socialist propaganda.

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Popular Posts

Kiss Kiss Bang Bang (quickie)

My friend Garth recommended I watch Kiss Kiss Bang Bang (2005) multiple times before I finally got around to watching it the other day. For some reason I was expecting a combination of RocknRolla and Layer Cake ; instead the movie is closer to In Bruges but much more lighthearted and fun. And in the end, maybe "fun" is really the best way to describe this movie. I don't mean "fun" in the way the Transformers movies or the latest Die Hard is fun by sacrificing story for big set piece action scenes. Quite the opposite. Kiss Kiss Bang Bang has plenty of action, but the focus is clearly on the story, which works well because the story is the most entertaining I've encountered in a long time. Robert Downey Jr. is absolutely hilarious and Val Kilmer's role as the private investigator Gay Perry allows Kilmer to showcase his talent for comedic character portrayals. The film is also eminently quotable, another sign of the quality of the writing.

Casino: Individualist Business vs. Faceless Capital

The only thing Martin Scorsese loves more than propping ambitious men at the top of a cliff and watching them fall back down is propping ambitious men at the top of a cliff, giving them buckets of cash, and then watching them fall back down. In Casino , Sam Rothstein (Robert De Niro) owns and operates a casino in Las Vegas. He's at the top of his business, but the force pulling him back down isn't so much his own greed (that's part of it, but not the main part), it's his friends. Nicky Santoro (Joe Pesci) is originally Sam's muscle, but he's so violent that he eventually gets kicked out of the gambling scene altogether and starts his own mafia ring. Ginger McKenna (Sharon Stone) is originally a hustler in Sam's casino, but she's so driven by the affection of others and the acquisition of wealth that she accepts Sam's proposal to marry him.

Planet of the Apes (analysis)

The original Planet of the Apes (1968) has about as much of a legacy in the world of science fiction as 2001: A Space Odyssey (movies which coincidentally came out in the same year and both feature actors dressed as monkeys). With films like this, which you've probably been told were the most revolutionary thing put to celluloid back in its day, it can be hard to believe they'll still be relevant today, let alone possible to watch without snickering. I had similar reservations: this movie is twenty years older than I am, how could it possibly still be good? This is one movie at least which has earned its position as a classic by creating a story which is as compelling and enjoyable as it is timeless. If you're curious enough to consider watching, just go do it.

Days of Heaven's War in the Heart of Nature

"Nobody's perfect. There was never a perfect person around. You just have half-angel and half-devil in you." "I've been thinking what to do with my future. I could be a mud doctor. Checking out the earth. Underneath." Terrence Malick's central cinematic concern is the search for pure nature outside society, for humanity without it's inhumanity; but this is a search that he believes will always ultimately fail. There is no pure nature outside of humanity's corrupting influence. He developed this conflict through his study of Heideggar, whose idea that there is "no cosmic power, only action of hands upon the world" would profoundly influence his thinking. This theme that nature is fundamentally torn from itself is perhaps most clearly expressed in Edward Train's voice-over soliloquies of The Thin Red Line ( "What's this war in the heart of nature?" ), but it finds its simplest and most concise formation in Days of

Rush: A Look Back at The Best of 2013

Every year we see some films which stick with us and some which don't; some films impress us on first viewing but diminish subsequently, while others ripen with age. The tendency among reviewers (for obvious traffic-related reasons) is of course to come out with "best of the year" lists as soon as possible, but whether these films will remain personal favorites years later is a question only answerable in time. In this light I recently decided to revisit Rush , a September 2013 release recognized at the Golden Globes but ignored at the Oscars, and a movie which I personally enjoyed enough to place in my top 10 at the end of the year.

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